Nick Foster becomes Co-Director General of Initiatives of Change Switzerland

06/02/2021
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Nick Foster until now Caux Forum Director, will take over the role of Co-Director of IofC Switzerland, alongside Stephanie Buri. After nine years with Initiatives of Change (IofC) and one year as the Co-Director of IofC Switzerland, Rainer Gude is leaving to become the Executive Coordinator of the Geneva Peacebuilding Platform.

Nick Foster
Nick Foster

‘We are sad to see Rainer go, but wish him all the best and thank him for all he has brought to IofC Switzerland,’ says Christine Beerli, President of IofC Switzerland . ‘We are delighted that Nick is taking on the role of Co-Director, continuing the model of co-leadership which has proven to be the perfect solution in these times of uncertainty and constant change.’

Rainer first worked with IofC International as Chargé de Mission, and then became Partnership Manager of IofC Switzerland and, last year, Co-Director General. ‘One never really leaves IofC,’ he says. ‘The values and work of trying to improve the world around you by starting with yourself are something that you can live in any job. In my new position I will be doing a lot of what I have done over the last few years – trying to connect, equip and, hopefully, inspire people in their work for peace.’

Stephanie and Rainer became Co-Directors at a critical time for the organization, and, as the pandemic took hold, for the world.

Rainer Gude
Rainer Gude

‘2020 was much more complex than I or anyone thought it would be,’ says Rainer. ‘I have learned so much, but above all I am grateful for all the enriching encounters that this job has given me. My heartfelt thanks goes out to our team, who gave their all through this difficult year, to the council of IofC Switzerland, to the wider IofC network and to our partners. Count on seeing me in Caux or at other IofC events. I will continue to be an IofC ambassador wherever I go.’

‘I am thankful for everything we learned together with Rainer in this historical year. Rainer is a born bridge-builder, and I am happy for the opportunity his new appointment will bring not only him but also international Geneva, of which IofC is a part of. I look forward to continuing working with Nick, our team and council in this special year that is IofC Switzerland’s 75th anniversary’ says Stephanie.

Nick has been Caux Forum Director at IofC Switzerland since 2012. After studying arts and psychology education, he has lived in many parts of the world, working in education, manufacturing, business consultancy and the non-profit sector. He became involved with IofC in the 1990s, first through Making Britain a Home and then through Foundations For Freedom in Eastern Europe and Russia. He brings a passion to make the world a better place, a great knowledge of the IofC network and a commitment to embodying IofC’s values in his life and work.

‘I hope to uphold the connection and commitment Rainer, Stephanie and the council have modelled during a difficult year of transition,’ he says. ‘We discovered last year that online activities can be rich, deep and community-building, although we missed the sense of service and informal connection that has long been associated with the Caux experience. There is so much that we can apply from what we continue to learn. Rapid change is here, and we have to respond, not react.’

‘The “Cauxmmunity” has been a tremendous strength to each other and to the foundation during this difficult year. I look forward to continuing to support our network and Caux through the uncertainties that remain, and to strengthening our existing partnerships in the work of building trust across the world’s divides. This year is the 75th anniversary of IofC’s activities in Caux, and I believe that Caux, and the IofC community at large, can offer a beacon of hope and support to the world.’

We wish Nick all the best in his new role and look forward to his co-leadership!

 

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1950 - Yukika Sohma: 'Japan can become reborn'

By Mary Lean

05/02/2021
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By Mary Lean

 

Yukaki Shoma young

The Japanese flag was flying outside the conference centre as 64 Japanese arrived in Caux in 1950, to be welcomed by a chorus singing in Japanese. It was a moving moment as back in Japan, still under American occupation, displaying the flag was forbidden. 

The delegation included seven prefectural governors, a number of Diet members and the mayors of four cities, including Hiroshima and Nagasaki. One of the 10 women in the delegation was Yukika Sohma.

Yukika was the daughter of Yukio Ozaki, revered as the father of Japanese parliamentary democracy. He served in the Diet for 63 years, and was imprisoned during the World War II for his opposition to war. For Yukika the years leading up to World War II were ‘like living in suffocation’, as laws were passed to crush liberal thinking. The ideas of Initiatives of Change (formerly known as Moral Re-Armament), which she encountered at this time, were ‘like a fresh breeze blowing from above when all around were tight walls’.

Yukika acted as interpreter for the delegation, as it travelled on to Italy, Germany, France, Britain and the US. Wherever they went, the Mayor of Hiroshima, Shinzo Hamai, gave dignatories a gift from his city: a small cross made out of the heart of an ancient camphor tree, planted when the city was founded in 1589. The outside of the tree had been destroyed by the atomic blast, but its core survived.

Japanes in Caux 1950
Mayors of Hiroshima and Nagasaki in Caux

On the fifth anniversary of the dropping of the bomb on Hiroshima, the delegation was in California. They were invited to speak on CBS radio. Yukika described their encounters at the IofC conference centre in Caux as a ‘conference of answers, of results that only need multiplication to build a solid cure to world problems’. In a ‘family of nations where differences of race, of class and of point of view were superseded... we saw and experienced reconciliation of hearts…. We saw that with this new spirit Japan can become reborn.’

Shinzo Hamai also spoke in the broadcast, describing the ‘nightmare’ that had happened to his city. He quoted words that he had had heard at the conference centre in Caux, ‘Peace is people becoming different’ and declared, ‘I for one intend to start this effort from Hiroshima. The one dream and hope left to our surviving citizens is to re-establish the city as a pattern for peace.’

We saw and experienced reconciliation of hearts…. We saw that with this new spirit Japan can become reborn.

In 1952, Hiroshima unveiled a memorial to the victims of the atom bomb, inscribed, ‘Let all the souls here rest in peace, we shall not make the same mistake again.’ On his return from Caux, Hamai had championed this wording against fierce opposition from those who wanted the inscription to condemn the United States.

 

Yukika Sohma devoted the rest of her life to encouraging Japan to rebuild its relations with its neighbours. In 1979 she called on every Japanese to give one yen to help refugees in Southeast Asia. Within three months she had raised 120 million yen. The organization she founded later became the Association for Aid and Relief, providing humanitarian relief and supporting landmine clearance. She remained its president until she died in 2008.

Also read Yukika's article 'Apology is a key to the future'

 

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Watch this video from our film archives on the Japanese journey for peace.

 

 

 

Watch journalist Chris Mayor remembering his interview with the mayors of Hiroshima and Nagasaki during their visit to Caux 1950 (credit: ABC Australia). You can also read more on Chris Mayor and his interview in 1950 by clicking here.

 

 

___________________________________________________________________________________________

 

This story is part of our series 75 Years of Stories about individuals who found new direction and inspiration through Caux, one for each year from 1946 to 2021. If you know a story appropriate for this series, please do pass on your ideas by email to John Bond or Yara Zhgeib. If you would like to know more about the early years of Initiatives of Change and the conference centre in Caux please click here and visit the platform For A New World.

 

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1949 - Max Bladeck: Beyond class war

By Mary Lean

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Max Bladeck

Max Bladeck joined the Communist Party as a young German coal miner in the 1920s. He remained loyal during the Hitler years when tens of thousands of communists were imprisoned or lost their lives. By the time he arrived in Caux in 1949, his lungs were affected by silicosis, and he could no longer work in the mines. He was chair of the works council of one of the pits in his town, Moers, and a member of the Party’s provincial executive for North Rhine-Westphalia.

Max left Caux convinced that there was a better way to social justice than class war. He had seen that capitalists could change their ways and that the path to world peace involved making ‘enemies into friends’. He and other German communists who had been in Caux visited party headquarters to recommend that they find out more about the ‘revolutionizing ideas’ of Moral Re-Armament (now know as Initiatives of Change).

Bladeck had first encountered the ideas of Caux a few months earlier, when an international team came to Moers with "The Forgotten Factor", a play about an industrial conflict being solved through changes in attitudes on all sides. Their visit was part of a two-year campaign in the Ruhr, the heart of Germany’s coal and steel industry. The area was vital for Germany’s reconstruction and a testing ground for Marxist and other approaches to industrial relations. Some 120,000 people in the Ruhr saw the play between 1948 and 1950.

In each town, the cast and crew were accommodated in local homes. Max and his wife, Grethe, offered a sofa in the living-room of their three-room house to a young Norwegian, Jens Wilhelmsen. Every night, the two men sat up late locked in ideological debate. 

Our ideological and political viewpoints were still far apart, but a certain trust was growing between us.

Jens made little progress until he had an unexpected thought in his morning meditation: ‘Stop preaching to Max about everything that is wrong with the cause he has given his life to. Instead tell him where you have a problem living what you preach.’ That evening Jens told Max about times when he had failed to live up to his ideals. To his surprise, Max began to respond in kind. ‘Our ideological and political viewpoints were still far apart, but a certain trust was growing between us.’

After the play left Moers, the town’s political activists and trade unionists came together to discuss the fall-out. The communists were vocal, accusing Moral Re-Armament of playing the class enemy’s game. At the end, Max dropped a bombshell: ‘Comrades! We know that Marxism is the thesis and capitalism is the antithesis. Could it be that Moral Re-Armament is a synthesis?’

This proposition was regarded as heresy. Things only got worse when Max and his colleagues went to Caux. Finally, when they challenged the Communist Party to adopt’s Moral Re-Armament’s approach, they were thrown out of the party and subjected to a campaign of defamation and threats. Yet when the works council elections came round, most received more votes than ever before.

This pattern was repeated all over the Ruhr. Between 1948 and 1950, the communists’ share of seats on the coal and steel works councils fell from 72 per cent to 25 per cent. The improved industrial relations were reflected in a new law on co-determination in heavy industry, which gave employees half the seats on company boards and put the day-to-day running of the company into the hands of three directors, one proposed by the unions.

In 1950, Artur Sträter, Minister of Economics for North Rhine-Westphalia, said that ‘the ideology of Caux’ had broken ‘a great bottleneck’ in Germany’s coal production. Many factors played a part in Germany’s post-war economic miracle: the visits of workers and management to Caux were among them.

 

Watch a short footage with Max Bladeck in Caux from "Caux first years" (22'45)

 

 

 

 

This story is part of our series 75 Years of Stories about individuals who found new direction and inspiration through Caux, one for each year from 1946 to 2021. If you know a story appropriate for this series, please do pass on your ideas by email to John Bond or Yara Zhgeib. If you would like to know more about the early years of Initiatives of Change and the conference centre in Caux please click here and visit the platform For A New World.

 

 

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The art of making a difference to the climate crisis

By Elodie Malbois

05/02/2021
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By Elodie Malbois

 

The Bards are a network of artists within Initiatives of Change who focus on the climate crisis. They participated in the Caux Dialogue on Environment and Security (CDES) last summer and created a collection of poems and music pieces to help CDES participants reflect on environmental issues and discover ways to overcome them.

‘Artists are uniquely positioned to face what is happening to the climate, to reimagine the world and create a new narrative,’ says Sveinung Nygaard (Sven), a Norwegian composer and musician. He was inspired to create the Bards while attending the CDES in 2019, which focused on the challenges of climate change. He reached out to his network, and artists from different disciplines came together in London in February 2020 to launch the IofC Bards.

The Bards’ aim is to gather artists ‘to provide tangential thinking, creativity, inspiration and, if need be, confrontation on truth, truth being a constructive thing’. There is no preconceived idea of what should happen and how. They don’t want to control the output, but rather to create opportunities. The Bards feel that not one silver bullet will solve the climate crisis, but rather a multitude of ideas and initiatives. So the process must be organic and flexible. At the moment they are developing tools and methodologies, and applying for funds to implement them.

 

CDES 2020 IofC Bards group

 

Olena Rosstalna, a Ukrainian theatre director and assistant professor of English Literature, describes the Bards as a ‘very participatory practice’. ‘It’s not art for art’s sake; it’s art which aims at making change and making people think’. The process is open, but they are clear on where they come from: their activities are value-driven.

It’s not art for art’s sake; it’s art which aims at making change and making people think.

The Bards describe themselves as ‘collaborative, creative, contemplative and communicative’. Within the structure provided by these values, ideas and outputs grow organically. At this summer’s CDES, the Bards used a method called ‘prisming’ to create poems and music pieces to help CDES participants reflect on the environmental issues discussed and find concrete ways to overcome them. This involved different artists attending the digital plenaries and helping to further the discussion, by reflecting back in his or her artistic language. They also hosted a talk and a musical meditation.

Art can have a stronger impact than statistics or arguments, Olena maintains, because it speaks on a different level: ‘It touches your senses, your heart and your body. It touches your soul so that you can feel it deeply.’ Sven believes artists have a special responsibility: ‘The artist’s mind looks at chaos and finds possibility. It makes new connections.’ What an artist brings out of that chaos depends on the artist and the values which guide him or her. Sven’s vision is to help people see the world in a new light and bring change through their unique voice. He looks for ways to make people feel what the world could be like so that they can act.

Olena has seen the power of art at work through the people who take part in her youth theatre. ‘Theatre can help them understand themselves, become more patient and overcome their anger.’ She has also witnessed its impact on spectators. They produced a play about a teenager who is unable to process his anger and one day shoots his classmates, which the local department of education asked them to perform for all the city’s students. Olena talked with many young people who attended the play, including her 13-year-old godson, who had some of the same issues as the main character. He said, ‘I felt so ashamed and horrible because I recognized myself and I saw what could happen if I did not change the situation.’

Artists are uniquely positioned to face what is happening to the climate, to reimagine the world and create a new narrative.

Sven is most proud of the times when his music can has helped people shift and re-appropriate their narratives. He composed the music for the first animated TV series in the United Arab Emirates, which aimed to help the people of Dubai, a young city which expanded very rapidly, to find a greater sense of culture and identity as the new and the old met.   

Both Sven and Olena feel at home within IofC because they share the vision that global change starts within the individual. To start changing the world, you need to ‘go deeper into yourself’, says Sven. Olena believes that inner peace is the key: ‘Young people have internal fights and it is hard for them to accept themselves. After that,' she says, 'if you want to make a difference, just look around you. There is so much to do, from visiting elderly people to taking care of stray cats and dogs. Just look at your community, and you will find a way to use your energy creatively, rather than in a destructive way!'

 

Discover the artwork Waves upon waves, created by the Bards during the Caux Dialogue on Environment and Security 2020:

 

 

 

 

Photos: IofC Bards

 

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1948 - Paul Misraki: Soundtrack for a new Germany

By Andrew Stallybrass

04/02/2021
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By Andrew Stallybrass

 

Germany was in ruins. Europe was in ruins. Millions had been killed; millions more wounded and displaced. There were also ruins of the mind, deep collective trauma in desperate need of healing. In the summer of 1948, a musical revue was created in Caux, along with a travelling photo exhibition and a booklet, "Es Muss Alles Anders Werden" (Everything must be different). A Swedish paper-maker who was at Caux provided the stock to print one and half million copies.

In October 1948, Frank Buchman and a team of 260 left Caux by bus for Germany. In the words of Irène Laure, a Frenchwoman who’d fought in the resistance to the Nazi occupation of her country, ‘We ploughed our way back and forth across Germany as you plough a field.’ It was described as the largest non-military operation in Germany since the war.

 

A travelling photo exhibition is prepared in Caux 1948
A travelling photo exhibition is prepared in Caux 1948

 

One of the remarkable talents enlisted in this innovative and challenging project was Paul Misraki, a major French composer of popular music and film scores. Over more than 60 years, he wrote the music to 180 films, for directors like Jean Renoir, Claude Chabrol, Jean-Luc Godard and Orson Welles.

Born in Constantinople, into a French Jewish family of Italian descent, by the 1930s he had become an established jazz pianist, arranger, and writer of popular songs. He fled France during the World War II German occupation, and ended up in Hollywood. In Caux, Misraki composed a number of songs for the revue, including the music for the title song, to words by Alan Thornhill, an English church minister turned playwright. (Listen to the song "The Good Road" here.)

The photo shows Paul Misraki conducting the Orchestre de la Suisse Romande in the Victoria Hall in Geneva (the major concert hall and the major orchestra) as they recorded the soundtrack for the show – necessary because they couldn’t take a full symphony orchestra ‘on the road’ with them in Germany.

 

Paul Misraki
Paul Misraki rehearsing for the show

 

The German Peter Petersen (see 1947) was one of the stage crew. In the chorus was 19-year-old Jacqueline Piguet-Koechlin. She and her family had been forced to leave Alsace in 1940. In a booklet of letters home to her parents, she describes in vivid detail the buses winding through the ruins of city after city in Germany. She wrote, ‘This is what I’d wanted. Under the occupation, I’d wanted the Germans to have their share of suffering. When I joined this venture and postponed my university studies for a year, I felt proud of myself for caring for the defeated enemy. But I didn’t know, I couldn’t imagine suffering like this. And I wept.’ 

The team held 200 public meetings and shows in 11 weeks, including in 10 of the 11 state parliaments. In the party were two French Jews, one of whom had lost 15, the other 22, relatives in Nazi concentration camps.

The London News Chronicle quoted a Military Government official as saying, ‘You [Initiatives of Change*] have done more in two days to interpret democracy to the German people than we have been able to do in three years.’

 

Click here and listen to a recording of the song  "Es muss alles anders werden" (1947/48).

 

Image
The cast of "The Good Road" meet the audience backstage after a show in Germany 1948

 

 

This story is part of our series 75 Years of Stories about individuals who found new direction and inspiration through Caux, one for each year from 1946 to 2021. If you know a story appropriate for this series, please do pass on your ideas by email to John Bond or Yara Zhgeib. If you would like to know more about the early years of Initiatives of Change and the conference centre in Caux please click here and visit the platform For A New World.

 

  • * then known as Moral Re-Armament
  • Photos: Initiatives of Change 
  • Recordings: Initiatives of Change

 

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1947 - Peter Petersen: ‘All our defences crumbled’

By Mary Lean

03/02/2021
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By Mary Lean

 

‘At that time, even a dog would have refused a bit of bread from the hand of a German,’ remembered Peter Petersen, one of 150 Germans who the Allies allowed to come to Caux in 1947. They were some of the first Germans to leave their country after World War II.

To their astonishment, Petersen and his companions were greeted not with revulsion but by a French chorus singing a song in German. ‘We were already past masters at defending ourselves when we were accused. But here the doors were wide open for us.’

Petersen had worn a uniform all his life: first as a Hitler Youth, later at a special Nazi school and then in the German army. He had been wounded two weeks before the war ended and imprisoned by the British after the war. Now aged 21, he had no civilian clothes and arrived in Caux in a suit of his grandfather’s, which was both too short and too big for him.

 

Peter Petersen speaking in Caux with friend
Peter Petersen (right) speaking in Caux

 

‘Like many Germans I had withdrawn into an attitude which was a mixture of self-pity and bravado,’ Petersen said later. When he and his friends discovered that the Secretary of the Socialist Women of France and member of the French Resistance, Irène Laure, was going to speak at the conference, they braced themselves. ‘We said that if she talks about all that France has suffered, we will have a thing or two to say about the French.’

Her honesty and greatness of spirit made us look at ourselves. We were ashamed of our blindness.

To the Germans’ astonishment, Irène Laure apologized to them publicly for her hatred. ‘It was so unexpected. All our defences crumbled away…. Her honesty and greatness of spirit made us look at ourselves. We were ashamed of our blindness.’

After long discussions among themselves, and some sleepless nights, Petersen and his friends went to talk with Irène Laure. ‘We began to see where we had gone wrong and we told her, because that’s the only way healing can come.’

Between 1948 and 1951, nearly 4,000 more Germans attended conferences at Caux. Petersen was part of an international IofC taskforce (see our story on 1948) which travelled through Germany over the next five years, building the bridges of the heart which made the post-war reconciliation and reconstruction of Europe possible.

 

The exhibition in the ruins of a German city 1948
Exhibition in the ruins of a German city 1948

 

In 1965, Peter Petersen was elected to the German Bundestag. During his long political career, he made no secret of his past or of the sacrifices needed to heal relationships with those who had suffered at Germany’s hands.

‘There are two ways of getting rid of the past,’ he said. ‘You can sweep it under the carpet, but there is always the danger that it will pop out somewhere else. Or you can take the way of honesty. It was this characteristic of Caux which allowed us Germans to meet with other people as equals.’

 

Peter Petersen, Frank Buchman, Gabriel Marcel, 1957
Peter Petersen (centre) with Frank Buchman and Gabriel Marcel (1957)

 

 

 

This story is part of our series 75 Years of Stories about individuals who found new direction and inspiration through Caux, one for each year from 1946 to 2021. If you know a story appropriate for this series, please do pass on your ideas by email to John Bond or Yara Zhgeib. If you would like to know more about the early years of Initiatives of Change and the conference centre in Caux please click here and visit the platform For A New World.

 

 

Photos: Initiatives of Change

 

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1946 - Trudi Trüssel: ‘You can’t build with only one class’

By Andrew Stallybrass

02/02/2021
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By Andrew Stallybrass

 

At the end of the Second World War, a handful of Swiss believed Initiatives of Change (then known as Moral Re-Armament) had a role in bringing healing and reconciliation to a Europe torn apart by war. They started to look for a place where they could hold conferences to bring together nations which had been divided.

In 1946, Trudi Trüssel from Switzerland was 28 years old and working in Berne in the home of Philippe and Hélène Mottu who were closely connected to Initiatives of Change. She wrote later:

"Searching for a possible conference centre, they’d found the former Caux-Palace Hotel above Montreux. It was abandoned. One day, some of the leaders came to meet at our home to take the final decision to buy the hotel. I’d made the midday meal for the guests and I was doing the wash-up in the kitchen. One of the gentleman guests came into the kitchen and said that they wanted me to join them as they were taking this decision to buy. I told him that they shouldn’t expect anything from me, that now it was time for the rich to do something worthwhile at last. I didn’t want to have anything to do with it. Deep down inside, I blamed the rich, I held them responsible for so many people’s unhappiness. I couldn’t accept that some could have everything they wanted without having to lift a little finger, while others had to work themselves to the bone. This injustice filled me with bitterness.

 

Trudi in the Caux kitchen with Frank Buchman 1946
Trudi (left) in the Caux kitchen with Frank Buchman (1946)

 

The guest went out; he was pretty shaken getting this earful from me. I was always pretty quiet and reserved; no-one knew what I was really thinking.... Then he came back into the kitchen, and said, ‘You’re right. We rich people must do something, but we can’t do it without you. You can’t build a new world with only one class.’ My heart was touched, when he said, ‘We need you.’

My heart was touched, when he said, ‘We need you.'

I went with him into the drawing room; the three couples there were ready to give their fortunes to buy the Caux Palace. From Lausanne where we sometimes stayed, I’d seen the setting sun reflecting in the windows of the old hotel. I’d even been up there on a free day and looked at the place from outside. It was rundown and dirty. I couldn’t understand what they had in mind. They had all they needed for an easy comfortable life.

Trudi Trüssel in the internal post office in Caux
Trudi in the internal post office in Caux

They had a time of quiet, as they used to say, to listen for God’s guiding. God and I didn’t get on together. I’d never said he didn’t exist, but I’d been so hurt by life that deep down in my heart, I believed that he could only love the rich and the good. So they were all quiet, and I was too, with them. Then the thought came into my mind that I should give 200 francs – two months’ salary. The money that I was saving to pay for the training to become a nurse. I knew that this thought didn’t come from me. I went back to the kitchen, to tidy things up. But I felt that this was a great opportunity and that perhaps God was for me too.

I fought with myself for three days. I knew that if I said yes, everything would be different for me, and I couldn’t just do what I pleased. I gave the money, and it went for paying the printer’s bill for the invitation cards to the opening of the first conference…. I took on responsibility for the Caux kitchen – a job I loved. Everything had to be set up from scratch. We cooked on coal. We had to learn patience and working with a wide variety of people."

 

Trudi was among the 100 Swiss individuals and families who decided to buy the Caux Palace in 1946. She never became a nurse, but dedicated her life to IofC work and lived in Caux for many years. She worked in the Caux kitchen and later on in the internal Caux Palace post office and on the switchboard, connecting people inside and outside Caux.

 

Adapted and translated from ‘Envers et contre tout’

 

______________________________________________________________________________________________

Discover the first annual report of the Caux foundation for 1946.

Watch this silent movie from our film archives on the opening of the Caux Palace as a conference centre in 1946


 

_____________________________________________________________________________________________

 

The journalist Irene de Pous from the Netherlands came first to Caux as a child where she met Trudi. She writes:

 

"Every year when we came to Caux, Trudi Trüssel took me aside and surprised me with the most beautifully knitted doll’s clothes. She made them especially in the size of my doll, Sjolaika. They were each very different in style and colour. As a child, I was delighted and always looked forward to showing them to my friends. Now, 35 years old, I went through the whole collection of 32 pieces again to pass them on to my little nieces. Looking with adult eyes, I appreciate the time, effort and selflessness that Trudi put into making them. They are truly small pieces of art. Reading her life story for the first time, I am impressed that after all she has been through, and such a difficult childhood, she could be such a giving person, especially for children. I bought a specially nice box for all the dresses, and added the story about its maker. In this way I hope to honor the ‘Trudi-collection’. I am sure my nieces will enjoy it. "

 

Trudi dolls

 

_______________________________________________________________________________________

 

This story is part of our series 75 Years of Stories about individuals who found new direction and inspiration through Caux, one for each year from 1946 to 2021. If you know a story appropriate for this series, please do pass on your ideas by email to John Bond or Yara Zhgeib. If you would like to know more about the early years of Initiatives of Change and the conference centre in Caux please click here and visit the platform For A New World.

 

 

  • Photos of Trudi: Initiatives of Change
  • Photos dolls: Irene de Pous
  • Video: IofC Film Archives
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75 years, 75 stories

By Yara Zgheib

01/02/2021
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By Yara Zgheib

 

As we launch a series of 75 stories, celebrating the 75th anniversary of Initiatives of Change in Caux, Yara Zgheib from Lebanon reflects on this special place at the heart of the Swiss Alps which has changed the lives of many people from all over the world.

 

"The sun is setting on the Lac Léman. From the terrace of a palace in Caux, it looks like it is on fire. The air is purple and orange. It smells of orange as well; the fruits we just peeled and shared. We: Lebanese, French, Swiss, German, English, Indian, Moroccan, Ethiopian, Ukranian, and a Bob-Marley-guitar-playing-Dutch-Hawaiian-Palestinian.

On a table to my right, two coffees in porcelain cups are getting cold; two men face each other over them. They come from war. They were making war, not long ago. Here, they pass the cream. Here, they must talk. Here, between them, sugar, a plum, some bread. The table creaks with their stories, each true and personal. The past, hurts, prejudices, fears. I came here with my own: June 25, 2010, a shipwreck of a girl.

I stepped off the mountain train with a heavy blue suitcase; I was angry and tired and grieving. I was 21 and had lost so much. I had not had lunch, or much sleep. I had no expectations. A stranger took me to an empty dining hall and offered me a sandwich.

My story is not special, or mine. It belongs to this conference centre.

I found myself suspended between the blues of lake and sky. I spent the rest of the month serving meals to hundreds of people. I also dined with rebels, musicians, students, activists, coffee bean farmers, priests, sheikhs and a former Vice-President of her country. I folded linen, washed plates. For the first time in my life, I was quiet.

The wars inside me went quiet too. This place taught me to breathe, to see, others and myself. By the time I left, I felt so light I could have flown to Montreux.

But my story is not special, or mine. It belongs to this conference centre. It is 75 years long and contains hundreds of thousands of train rides, walks, talks, teas, conversations, and quiet moments of giant transformation.

Seventy-five years. Seventy-five stories, of so many. To celebrate the anniversary, throughout the year, we will be sharing stories that took place in this palace on a mountain, one for every year since 1946 and the first gathering of Initiatives of Change here.

In doing so, we look forward, and up, at the blue and years ahead."

 

Yara Zgheib

Yara Zgheib is a writer, traveler, and lover of nature, jazz and art. She was born in Lebanon and has pieces of her heart scattered through Paris, London and Boston. She is the author of The Girls at 17 Swann Street and the forthcoming No Land to Light On. She writes weekly on culture, art, travel, and philosophy on her blog: The non-Utilitarian. Her essays are prose, poetry, musings on things neither practical nor useful, but true and beautiful. Essential. Wearing her other hat, she consults with governments and the nonprofit sector on peace and security strategies, with an emphasis on conflict resolution, counter-terrorism and countering violent extremism. She is a Fulbright scholar with a Masters in Security Studies from Georgetown University and a PhD in International Affairs and Diplomacy from the Centre d’Etudes Diplomatiques et Stratégiques of the Hautes Ecoles Politiques de Paris. She joined Initiatives of Change in 2011 and has since been an organizer of the Forum on Just Governance for Human Security and chair of the humansecurityX Fellowship Programme. She believes that love and ideas can change the world. She likes books and smart conversations, early morning yoga, evening walks.

 

 

This story marks the launch of our series 75 Years of Stories about individuals who found new direction and inspiration through Caux, one for each year from 1946 to 2021. If you know a story appropriate for this series, please do pass on your ideas by email to John Bond or Yara Zhgeib. If you would like to know more about the early years of Initiatives of Change and the conference centre in Caux please click here and visit the platform For A New World.

 

Discover our first stories here:

 

 

Photo Caux Palace: Adrien Giovannelli

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Governance of Land in the Sahel

Catalysing human security and building climate resilience through land restoration

01/02/2021
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Catalysing human security and building climate resilience through land restoration

 

Held on 2nd December 2020, this live webinar followed that of the 10th July 2020 on “Land and Security in Sub-Saharan Africa”, organised for the Caux Forum 2020. The webinar was organised by Initiatives of Change Switzerland and the Swiss Federal Department of Foreign Affairs (Human Security division), in partnership with the Geneva Centre for Security Policy (GCSP), Initiatives for Land, Lives, and Peace, the Environmental Peacebuilding Association and the Global EverGreening Alliance.

The event was chaired by Mr Luc Gnacadja, Founder and President of GPS-Dev (Governance & Policies for Sustainable Development), former Executive Secretary of the UN Convention to Combat Desertification (2007-2013) and former Minister of Environment in Benin (2004-2007). It brought together personalities who are active at the heart of safeguarding land and peace in the Sahel region:

 

  • Her Excellence Mme Bouaré Bintou Founé Samaké, Minister for the Promotion of Women, Children and Family in Mali
  • Colonel Major Ousmane Traoré, former Governor of the Eastern Region of Burkina Faso
  • Mr Oumar Sylla (Senegal), Acting Head of UN-Habitat in Africa), Nairobi
  • Ms Salima Mahamoudou (Niger), Research Associate, Land Accelerator Programme, World Resources Institute, Washington DC
  • Dr Abasse Tougiani, Senior researcher, National Institute for Agronomical Research of Niger (INRAN), Niger

 

CDES workshop Sahel 2 Dec 2020 speakers

 

The purpose of the webinar was to explore the multi-dimensional links which unite good land management and the security of Sahelian populations, and to discuss the urgent need to confer to women and young people, often the driving forces of agricultural regions, the ability to manage land, thereby reducing the risks that that they are pulled into extremist groups. The webinar brought to the fore the key subject of governance, as nothing is possible without political will and policies stimulating and framing environmental action for security and peace.

In his introduction, Mr Luc Gnacadja emphasised the extent of the fragility of agricultural and pastoral systems in the Sahel, which are threatened by the interconnected challenges of land degradation, insecurity, poor governance and climate change. According to Mr Luc Gnacadja, it is difficult to create a virtuous cycle of change as long as the multisectoral question of land governance has not been addressed. He emphasised a note of hope, however: at the end of two terrible decades of drought in the 1970s and 1980s, restoration movements for degraded land were developed, particularly in Niger, Burkina Faso and Mali, through the process of Farmer Managed Natural Regeneration (FMNR). The techniques of this are now well-documented – and Luc Gnacadja recommended that we turn our attention in this direction, amongst other local solutions, today.

According to Colonel Major Ousmane Traoré, widespread poor and degraded soils coupled with expanding rural-urban migration and the palpable effects of climate change severely limit the supply of land resources for agropastoral resources, and mean that many people in Burkina Faso are landless, despite 86% of the active population living off these resources. The coexistence of traditional and modern land tenure systems and socio-cultural burdens limits women and young people’s access to land. People frequently lose control of their resources due to the lack of appropriate laws, and because of the way current laws are implemented.

All this contributes to growing frustration, which is exploited by violent extremist groups. This frustration also arises when people no longer have access to land which the State decrees belongs to it, and then gives it to exploitative companies to manage, or when the land is protected (for example in nature reserves) and access by local people is prohibited. Extremist groups offer a simple response, giving people the free choice to use the land in exchange for payment. As these resources are often the community’s only economic capital, it’s not surprising that they accept such arrangements. It is therefore urgent to find solutions.

Recognising that land is an asset linked to the economy, but also a social, cultural, traditional and political living space, Colonel Traoré expressed a conviction that the harmonious management of land assets – through soil fertility programmes, for instance – increases productivity, diminishes food security risks and harmful survival strategies (for example selling off livelihoods and productive capacity) and also creates jobs for rural youth – all of which help to reduce the root causes of insecurity and violence.

 

Darfuri refugee camp in eastern Chad – photo with kind permission on CORD UK
Darfuri refugee camp in eastern Chad – photo with kind permission on CORD UK

 

Mrs Bouaré Bintou Founé Samaké, referring to the fact that non-degraded soils in Mali represent barely 20% of the country's surface area, strongly advocates for improved access to land for young people and women, 80% of whom are directly dependent in agropastoral activities.

She highlighted the fact that women are essentially excluded from managing arable land (as, according to ancestral traditions, land is inherited by the oldest son), and must make do with degraded or abandoned land. There is a law in Mali which stipulates that 10% of arable land must go to the use of women and youth. Unfortunately, since women and youth tend to serve as the labour force and rarely own fields, they struggle to enforce the law. Moreover, unemployment breaks the patience of young people, pushing them to turn to violent extremist groups for alternative and more readily accessible means of survival. These difficulties are compounded by the lack of demarcation of land borders, which increases the vulnerability of women and youth who depend on agricultural areas for their income, and by the impacts of violence which renders going to the market and selling produce impossible.

Mrs Bouaré Samaké is therefore convinced that as long as women and young people are not included in both central and local decision-making processes, no new approaches to land restoration will be possible. The same goes for peacebuilding processes which cannot succeed unless communities, including women and youth, are the principle driving forces.

For Mr Oumar Sylla, the foundation of good land policy is the full participation of local people in the decisions that affect them. The reason that past policies have failed is because blanket decrees are imposed from capital cities without either community ownership, or respect for the basic needs of farmers and herders, or the use of local conflict resolution and land management mechanisms; agricultural policies are centralised and over-sectoralised.  This situation often leaves rural youth with only two options: migration or involvement in violent extremist groups. Climate change only serves to exacerbate these realities.

For Mr Oumar Sylla, the social and ecological dimensions of these challenges compels us to put in place multisectoral approaches which have people at their heart. Working on the root causes of these difficulties, strengthening local authorities and putting land and restoration at the centre of governmental programmes is to him an absolute condition for improving the situation of the Sahelian peoples/populations. The international community, including the UN, must actively participate in these efforts, especially by training farmers, providing frameworks for dialogue and forming creative partnerships.

Finally, speaking as one at the heart of the UN system, Mr Oumar Sylla recommends integrating expertise in agriculture and in soil restoration into UN missions across the region, both in policy formed at headquarters and implemented in the field.

 

CDES Chad, photo Theo Fruendt
Photo: Theo Fruendt

 

Mr Abasse Tougiani explained that Farmer Managed Natural Regeneration has benefits on several fronts - human and social, scientific and climatic - as demonstrated by the experiences in Niger on FMNR, which recently led to the adoption of new government legislation. Water conservation, soil renewal, landscape preservation, a marked improvement in the profitability of the land and renewed confidence of local authorities in their management capacity are the immediate results. This practice relies mainly on the commitment of local communities “who know what they want".

Abasse Tougiani recalled that in 2005, when Niger was threatened by famine, the areas of the country which practiced FMNR had an oversupply of food, and that currently, when threats of violence drive people away, it is often women who stay behind and ensure continued production. Nevertheless, he underlines the difficulties women face in inheriting portions of land which are regarded as ‘’jewels’’ by the men of the family. When a woman marries, she is not entitled to her parents' land inheritance, which often deprives her children of future possessions. Here again we find the same links between insecurity and the use of land, and also the same answers: invest in land restoration to respond to the needs of the population and use dialogue and participative management to do so.

It was finally the turn of Ms Salima Mahamoudou to introduce the dynamics of the private sector in the preservation and development of agricultural areas. Wondering how it would be possible to restore 100 million hectares of degraded land in the Sahel, she argued, supported by several examples, that private investors need to commit to this immense task. We must prove to them that such investments are profitable, and to do so, the research and accumulation of private data are indispensable. This is also what her programme does - bringing together investors and implementers and teaching farmers to sell their services, create business plans, compete regionally, increase their number of employees, and take into account the ecological and climatic impacts of their work.

Land restoration is not only a question for development experts, but also a question of economic gain. She notes, nevertheless, that politically instable or violent areas scare investors and that her organisation has had to cease its activities around Diffa in Niger because of extremist groups. She also acknowledged that currently women play almost no role in entrepreneurship because they “do not have access to land”, except when in cooperatives. She remarked on the seriousness of this and how it should incentivise authorities to be actively engaged.

At the end of this rich and hope-giving webinar, an important point stands out: “May each make their own what they have learned from the others!” The Chair, Luc Gnacadja, also paved the way for a follow-up to this exchange: “See you next time to discuss the results!”

 

Download the report as a pdf

 

 

Facilitators

Dr Alan Channer, land restoration and peacebuilding specialist, remarked that, while internet technology allows us to communicate very easily, we are nonetheless confronted with the challenge of understanding each other. He underlined the importance of this webinar in fostering understanding beyond the borders of country, discipline, and background.

Mrs Carol Mottet, Senior Adviser in the Human Security Division of the Swiss Federal Department of Foreign Affairs, is the Head of a programme for the prevention of violent extremism. She helped to establish the link between environment and security experts in this webinar.

 

Partners

CDES workshop Sahel 2 Dec 2020 partners

 

 

 

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